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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院浩劫之后其四：最后的不公正9号秘事 第三季神探默多克第十五季孤鸽镇红粉佳人舞翻天她的眼光路过我年少时光的蓝色伟大的丹薇：冰川礼赞白夜最长时申医生过夜静音邻居美丽心灵2001现在开始作秀时间(剧情解说）关原之战1981星轨甜甜屋处死国王情暖谊长依法相爱美国英才那狗欢迎来到超自然森林养鬼吃人5奇缘1987太极门
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院浩劫之后其四：最后的不公正9号秘事 第三季神探默多克第十五季孤鸽镇红粉佳人舞翻天她的眼光路过我年少时光的蓝色伟大的丹薇：冰川礼赞白夜最长时申医生过夜静音邻居美丽心灵2001现在开始作秀时间(剧情解说）关原之战1981星轨甜甜屋处死国王情暖谊长依法相爱美国英才那狗欢迎来到超自然森林养鬼吃人5奇缘1987太极门